When Andrew Lloyd Webber’s “Love Never Dies” opened in London in March 2010, the West End Whingers, England’s most influential theater bloggers, dubbed it “Paint Never Dries.”

The musical, a sequel to Lloyd Webber’s long-running “The Phantom of the Opera,” never overcame that bitchy moniker. After just 18 months, Lloyd Webber was forced to close “Love Never Dies” at a loss of more than $10 million. (FULL ARTICLE: Michael Riedel, New York Post)