The postwar sculptor John Chamberlain, who died in December, manipulated crushed car parts into abstract clusters that are both gorgeous and terrifying. As installed on the Guggenheim Museum’s curved ramps for the retrospective exhibition “John Chamberlain: Choices,” they look, inevitably, like mangled wrecks on a speedway. (FULL ARTICLE: Karen Rosenberg, The New York Times)
Art News
‘John Chamberlain: Choices’ at Guggenheim Museum
March 14, 2012