This past spring, the New York City Opera announced that it would leave its permanent home in Lincoln Center to become something of a vagabond organization, scheduling performances for this abbreviated season at Brooklyn Academy of Music, John Jay College and El Museo del Barrio. What had been a bad situation continues to get more fractious; the company’s seasonal debut, a weeklong residency of La Traviata at BAM, is scheduled to open February 12, but that seems like a long shot,and grumblings about salary structure are getting louder. (FULL ARTICLE: Miriam Kreinin Souccar, Crain’s New York)